![]() Check out the hints on the UAD version.It sounds good, regardless of my rant.Ĭompare the Waves CLA-2A to the UAD versions, the Plugin Alliance NEOLD U2A, and the IK Multimedia White 2A. It even has (an attempt at) the slight high end bump of the LA2A. You might be like, “meh”.) This works just fine and all that. I only brought it up because it’s an interesting observation. Maybe a handful of people in the world can hear an emulation and say “hey, that’s not the harmonic distortion I hear with a real LA-2A.” So, does it matter? Nope. And at the essence, they do what they say-they add that non-digital vibe. ![]() Is it completely ethical to say you model a specific hardware when you really don’t? Well, marketing is very rarely concerned with the nuances of ethics. There are a number of developers who have this kind of generic analog “method” to their plugins. Chris Lord-Alge lends his LA-2A to Waves, and this is the emulation they come up with But It seems to me that a lot of Waves plugins have this almost. But are they really modeling any tubes or transistors accurately? Which admittedly sounds good and adds an “analogue-ness” to the tracks being processed. It seems to me that a lot of Wave’s plugins have this almost perfect harmonic distortion pattern. Both the CLA-2A and CLA-3A plugins include an analog option to emulate the noise floor and hum (50 or 60 Hz) from the original hardware units. Chris Lord-Alge lends his LA-2A to Waves, and this is the emulation they come up with! But…
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